A Conversation on YA (Part III)

As has been widely reported, young adult literature is enjoying huge popularity at the moment with adults and teens alike reading YA books in droves. Consequently, the genre has become the target of some spirited debate (most famously from Slate’s Ruth Graham in her piece “Against YA”).

ya-nyt-list

In Part One of this conversation, we discussed the differences between “adult” and “young adult” novels while in Part Two, we talked about how schools are using YA and if a YA-based curriculum is really a good thing—should books being accessible matter? And does the “at least they’re reading” argument really hold water?

Corey: So where does an education system that teaches YA leave us? In our last part, Kate asked about why adults might be fleeing to the children’s section and reading YA. Are they doing it because they no longer wish to be challenged?

Personally, I don’t think it’s that adults don’t want to be challenged. I think it’s more a problem of adults never being challenged as young adults and children, so they just continue reading in the similar vein as they grow up. I’m not sure the choice by adults to read “Young Adult Literature” is really as much of a statement or intentional choice as we (and the media) make it out to be.

ya-wutheringKate: I think it’s just a marketing distinction. People are reading books now that they would have read before, they’re just marketed differently. The difference is, people take this pride in it, and I think it’s because of the marketing furor over YA books — the idea being that the books are so talked about that everyone must be reading them, so we talk openly about them rather than sort of hiding them.

Many times I think YA is missing any kind of moral or ethical complexity. There are good guys and there are bad guys and there is never any confusion. Bella would feel much differently about Edward if, in fact, he did kill humans — all kinds of humans, as do the werewolves in The Last Werewolf and Talulah Rising. Sookie Stackhouse struggles a lot with the question of good and evil when it comes to the supernatural. You don’t really find that in YA, at least, as far as I’ve seen.

Corey: That is really the bottom line for me, too. I got really puzzled at that lack of complexity and then eventually troubled. In execution, I found my forays into YA imaginative fiction to be well short of intellectually stimulating. They were entertaining, sure, and I marvelled at the creativity of the authors. And yet…

In the end I found myself rather agreeing with Ruth Graham (and you, Kate!)—young adult books tell simple, clear-cut stories with neat endings and easily-followed plotlines. And adult readers, while they may well enjoy these fables (essentially), should really aspire to something more.

Kate: Of course we should aspire to something more! I recognize that reading isn’t important to some people, and the same holds for complex literary analysis. We all have the right to read and enjoy YA books of any ilk.

But I agree with Ruth Graham that the pride people take in reading YA fiction is puzzling. As a psychological study of teenage brains and human development, maybe. But to be proud of exclusively reading fiction meant for teenagers is a little like Bethany Frankel squeezing into her toddler’s pjs — it might fit, but that might also mean there’s something seriously wrong. In this case, with popular culture’s current definition of “literature.”

Corey: Which I guess brings us around to the distinction between “fiction” and “literature,” which is probably a conversation for another time!

Stay tuned for our final installment!

Next time, we explore the future of YA literature. Kate notes that many books now considered classics started off perceived as frivolous novels. Will any of the books written now that are perceived as “frivolous young adult novels” stand the test of time?

October 30, 2014 at 5:32 am Leave a comment

‘The Rosie Project’ by Graeme Simsion

rosieprojectThe Rosie Project by Graeme Simsion is the Zooey Deschanel of novels: it’s adorkable.

It’s also a great many other adjectives, but, overwhelmingly, it’s adorkable. Telling the story of a very particular scientist named Dr. Don Tillman, The Rosie Projects relates what happens when he abruptly decides it is time he found a wife (or “female life partner”) and creates a scientific questionnaire to help him find his ideal mate. Inevitably, this fail-proof plan fails in pretty short order when he meets the titular Rosie, who, of course, aligns with none of his criteria, but who, of course, he can’t seem to stop thinking about.

It’s a cute story and one very much in the same mold as James Collins’ Beginner’s Greek: romantic comedy novels approaching the subject of modern love with an immovable faith in romance. The Rosie Project tilts more on the side of comedy than Beginner’s Greek (which tilted more on the side of romance), but, if you’ll forgive the science pun, they share the same DNA. (more…)

October 28, 2014 at 4:02 am Leave a comment

A Conversation on YA (Part II)

As has been widely reported, young adult literature is enjoying huge popularity at the moment with adults and teens alike reading YA books in droves. Consequently, the genre has become the target of some spirited debate (most famously from Slate’s Ruth Graham in her piece “Against YA”).

Source: Lynley Stace

Source: Lynley Stace

In that spirit, Literary Transgressions’ Kate and Corey staged their own conversation on the topic.

In Part One of this conversation, we discussed the differences between “adult” and “young adult” novels and decided YA is missing a degree of complexity (in characters and premise) that challenges readers of “adult” books.

Kate: So is this love of YA just an increased dumbing down of literature? Are adults so sick of asking questions and being challenged to think that they’ve fled to the children’s section, where they can find pure escapism?

Corey: I think when this interest in YA is reported on, it is often used as an example of the demise of western culture as we know it and, indeed, a dumbing down of literature. And a large part of me wants to put on my old man hat and shout at adults who read YA fiction to get off my porch. It is a genuine shame that people, in general, are no longer reading the classics like they used to. This isn’t nostalgia or sentimentality on my part—according to a recent study, “the complexity of texts assigned [to students] has declined about three grade levels over the past 100 years.”

Kate: NO, YOU’RE RIGHT! Schools are teaching The Fault in Our Stars and not Lord of the Flies. Every time I read a list of banned books, I’m half mad about the banning and half upset that these were reading list books in the first place.

Corey: I really think there is something to be said for a more classical education, even if it is less accessible to “kids these days.” (Sorry, still have my old man hat on.) (more…)

October 23, 2014 at 4:48 am 1 comment

‘What We See When We Read’ by Peter Mendelsund

what-we-see
Peter Mendelsund’s What We See When We Read is an incredible book. In discussing ideas of what we as readers imagine to go along with whatever we’re reading, What We See is thoughtful, incisive, and challenging, in addition to being as beautiful as you’d expect a book from Knopf’s Associate Art Director to be.

And perhaps because it is so brimming with insights and beauty, it’s a hard to process all at once. The book is deceptively short and “easy” to read. With its big font size and sweeping visuals, you can breeze through the book, just straight reading without processing or thinking too much, in a few short hours.

However, such a reading would be a waste of what you have in front of you. A reader needn’t go more than ten pages into What We See to realize that this is a book that demands re-reading. (more…)

October 21, 2014 at 5:22 am Leave a comment

Library Loot: Week of October 13

Another great haul in from the Nantucket Atheneum today! I’ve discovered that inter-library loan is mighty speedy in the off-season—books that could take weeks to arrive in the summer are now piling up and I’m just trying to keep up.

libloot-oct-13

Quiet: The Power of Introverts in a World That Can’t Stop Talking by Susan Cain
I’ve been feeling like the oddball quiet one a lot lately, so I’m looking forward to reading this justification for my existence.

The Rise and Fall of Great Powers by Tom Rachman
Ever since I heard that the author of the excellent The Imperfectionists had not only a new book, but one about a pastoral Welsh bookseller, I’ve been pumped.

Alice + Freda Forever: A Murder in Memphis by Alexis Coe
YES PLEASE! A ripped-from-the-headlines nonfiction book about lesbian love gone horribly awry in late-19th-century Memphis, Tennessee. Color me intrigued.

The Westing Game by Ellen Raskin
How is it possible I haven’t read this book? (See also: A Tree Grows in Brooklyn, but that’s another story.)

Got any good loot this week, fellow readers?

October 17, 2014 at 1:29 pm 2 comments

A Conversation on YA (Part I)

As has been widely reported, young adult literature is enjoying huge popularity at the moment with adults and teens alike reading YA books in droves. Consequently, the genre has become the target of some spirited debate (most famously from Slate’s Ruth Graham in her piece “Against YA”).

Courtesy of NYMag

Source: NYMag

In that spirit, Literary Transgressions’ Kate and Corey staged their own conversation on the topic, asking themselves: what is young adult literature? What makes it different from “adult” novels? And is there really something inherently better or worse about either?

Kate: I think there are differences between adult and YA literature, but they are rather nebulous. I think YA novels tend to be more conservative than adult ones when it comes to sex, violence, sometimes happy endings. Bella and Edward’s relationship is prudish to the extreme in Twilight, as Bella gets pregnant the first time she has sex, then quite literally dies and gives birth to a monster, a great lesson for teenaged girls just learning to be ashamed of their sexuality.

But it’s more freeing in other ways. It can be more imaginative, because teenagers are better at suspending disbelief than most adults, still caught between fairy tales of childhood and questions they’ll have later, like “How does no one notice that half of the Cullens are banging the other half, even though they all claim to be siblings?” And I think the “hero” story can be more blatant, because teenagers are still trying to figure out who they are, and the idea that an ordinary person could become, well, anything (vampire, witch, revolutionary, etc.) is very appealing to a teenager determined to do something meaningful.

illusive papermagicianCorey: Absolutely! The more imaginative nature of young adult fiction is fascinating to me. Some of the most creative writing being done in the realm of “imaginative fiction” these days seems to be happening in YA. From my recent reading experiences in the genre, both Illusive and The Paper Magician have wonderfully creative premises—the former has been billed as X-Men meets Ocean’s 11 and the latter is an Edwardian mix of Susanna Clarke and C.S. Lewis.

Meanwhile, Neil Gaiman seems to be the tent-pole supporting all of adult imaginative fiction on his own with Salman Rushie leading the charge in magical realism. Why is there such a small pool to choose from for “adult” books in this vein? Is this because of the sudden interest in the publishing world for YA, so all genres are benefiting? Or is it just that authors of a certain imaginative bent are writing YA these days? Chicken or egg? (more…)

October 16, 2014 at 5:39 am 2 comments

Library Loot: Week of October 6

Library Loot is a weekly event co-hosted by Claire from The Captive Reader and Linda from Silly Little Mischief that encourages bloggers to share the books they’ve checked out from the library.

After promising myself to not go quite so overboard with interlibrary loan henceforth, last week I subscribed to the amazing Book Riot and got completely sucked into their excellent and seemingly endless stream of book recommendations. The long list of books I requested started coming in this week, so I’ll just be holed up in my room reading for the next few weeks. In case you were looking for me.

brokenmonsters
Broken Monsters by Lauren Beukes
I’m actually not 100% sure about this one and may end up swapping it for Beukes’ earlier novel, The Shining Girls. Both seem a little violent for my taste, but come so highly recommended! Can anyone who has already read either one assuage my concerns (or warn me off!)?

rosieproject
The Rosie Project by Graeme Simsion
I actually found this one on the Indie Next list from IndieBound, not Book Riot, but all the same it sounds super-charming and very Beginner’s Greek-ish. I haven’t actually seen many books in that ilk (i.e. novels that are unapologetically romantic without veering into sex-obsessed romance novel or chick lit territory) in the intervening years, so I’m really looking forward to this one.

What did you all pick up this week? I still have five books en route to me as I type this, to prepare for further adventures in library books coming soon!

October 10, 2014 at 10:36 am 2 comments

Older Posts


Connect with LT

literarytransgressions (Gmail)

@LitTransgressor (Twitter)

LT RSS feed (Subscribe)

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 114 other followers

Categories

LT Archives

In accordance with FTC regulations…

...we must disclose that we are independent bloggers with no ties to authors, publishers, or advertisers. We are not given books or monetary compensation in return for favorable reviews or publicity.

Where we have received advance or complementary copies of books, it will be noted in the body of the entry, and will not affect our review or opinions in the slightest.


Follow

Get every new post delivered to your Inbox.

Join 114 other followers